I have a huge bone to pick with theTwistersending.
You look exactly like Gen Z heartthrobGlen Powell.
(It works, kind of!)
©Universal/Courtesy Everett Collection
Now shes at the airport to fly back to her job as a meteorologist in New York.
You follow her there, abandon your car in the middle of traffic, and run inside.
This is theTwistersending, the cinematic equivalent of blue balls.
©Universal/Courtesy Everett Collection
They never make out.
They never evenhold hands.
There are long lingering moments and smoldering eyes.
Just without consummating the relationship in any sense.
I found it strange and annoying.
Take his chemistry with Sydney Sweeney inAnyone but You.
What kind of trickery is this?
The press tour has been no better for my sanity.
Everyones predictablysalivating over Edgar-Jones and Powell and their chemistry.
For example, this video of Edgar-Jones commenting on Powells ass.
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Or them talking about making out…suggestively.
If youre wondering why this travesty happened, theres one person to blame: Steven Spielberg.
I think it stops the film feeling too cliched, actually, she continued.
I think there’s something really wonderful about it feeling like there’s a continuation.
This isn’t the end of their story.
They’re united by their shared passion for something.
Sadly, Powell agreed, saying this movie is not about them finding love.
It’s returning Kate to the thing that she loves, which is storm chasing, he explained.
So that’s what you have at the end of the movie.
They share this thing, and her passion is reinvigorated, and her sense of home is reinvigorated.
And it is a good Spielberg note.
It’s why that kid is still in this game.
Umm…sorry but no.
Whats wrong with them having a shared passion for tornadoes but also for hooking up?
And if the movie is all about tornadoes, why are they doing this to promote it?
So fool me once, Hollywood.
The next time I see Powell smoldering with a young ingenue, I wont get my hopes up.
